On style
I try not to be mainstream. Using my vivid imagination and interests in other fields like modern design, architecture and contempory art, it slowly morphed into a certain style I would define as 'surrealistic'. Balloon twisters often underestimate the power of color. Color evokes moods. I always keep this in mind.
By developing my skills and improving techniques gives me the opportunity to come up with new designs using the whole range of balloon colors and shapes.
Balloons are a good medium to express my artistic feelings. Like ice sculpting, it’s a temporary art form. You’re limited by time and that’s very appealing for me.
On making a difference
I keep experimenting with new designs and techniques. I like to create figures that are mind-boggling, figures that draw your attention and please the eye.
I like working with hearts, rounds and geo blossoms because they give more bulk and shape to a figure.
On techniques
Using the twisting techniques as a toolbox, you can become a good craftsman.
It’s very important to understand the effects of your work. You can work on any technique all you like, but if you can’t see the effects, two things will happen: you won’t get any better and you’ll stop caring.
On talent
Talent is overrated. No one, not even the most 'talented' twisters became great without many years of practice. The reality that deliberate practice is hard can even been seen as a good thing. It means that most people won’t do it. So your willingness to do it will distinguish you all the more. People who are internally driven to create seem more creative than those who are just doing it for the money.
I love the quote from Malcolm Gladwell: 'Talent is the desire to practice'. So, my advice to become a better twister: practice!
On inspiration
I find my inspiration in everything from the Space Age era to Ren & Stimpy, from balloon conventions to private jams. Being born in the sixties, the Space Age was before my time, but I do like the aesthetic. Smooth lines and sleek, glossy surfaces are characteristic and easy to translate into balloon designs. A great deal of attention is drawn to fantastic machines, buildings, cities and transportation systems. I have a passion for futuristic, organic designs.
I also like the surrealism and intensity of the 'Ren & Stimpy Show'. The show’s aesthetics draw on Golden-Age cartoons in the way the character’s emotions powerfully distort their bodies. The show’s style emphasizes unique expressions, intense and specific acting, and stronger character poses. The surrealistic feel of it lies close to my personality and I try to apply those features to my designs.
Sharing is knowledge and jamming with friends helps me see new ideas and take my art to a higher level.
On conventions
Conventions are a good remedy for 'twisters block'. I sometimes feel caught in my own routines and I’m in need for new inspiration and motivation. They inspire me to create more and it’s an oppurtunity to get an idea how balloon twisters evolve considering their style, techniques and cultural influances.
Competing brings out the best of you. It pushes the envelope and helps you focus on your best performance.
On workshops
In my classes I encourage everybody to create their own style, not be a copycat, and take it all to a higher level. With the use of new techniques, you can create your own designs with an eye for color, detail, proportion, dimension and symmetry.
I aslo encourage balloon artists to get involved, share their knowledge, and increase their exposure.
On photography
I highly value the ability to archive my temporary art through digital photography. This way, you can present an appealing portfolio for your clients or visualize your website.
Over the years I see this becoming a subculture in the ballooning world.
On mainstream
I enjoy the subversion to normalcy.